MadSci Network: Chemistry |
K'Rina, Thanks for the question. The reason film can not be exposed to light even after you have taken pictures with it is that it is still sensitive to light. Here is an analogy. Imagine a piece of paper and a water color marker. You can draw a picture on the paper with the marker. However, once you are done drawing your picture someone else can come along and use the marker to draw over your picture. You have to do something extra like cover your drawing with a sheet of clear plastic to prevent any further marks being added to the paper. The situation is similar with photographic film. When you take a picture light is shaped by the lense of the camera and briefly strikes the film to form a "latent" image on the film. The image is latent because even if you could look at the film without messing it up you would not see anything different about it. The light that strikes the film uses up a small amount of the light sensitive chemicals on the film, but there is typically plenty more waiting to absorb more light. If you open the back of the camera after taking a picture then light floods the film like the villan scribbler overwrites the picture in the analogy. At this point you may be wondering how it is ever possible to look at film in the light without destroying the negative. What happens is that the film is typically rolled up into a light-tight cannister (for 35 mm film) and taken out of the camera. At the photo lab the film is first developed, to intensify the latent image into a visible image on the film. Next the film is "fixed". This means it is made insensitive to light so that light will no longer wash out the picture that is already on the film. Fixing typically uses a chemical to dissolve the light sensitive part of the film while leaving the exposed chemical behind. Once film is fixed, washed, and dried then it becomes the negatives that you get back with the pictures. The negativea are pieces of the film that you once had in your camera. I hope that clears up what is going on with the film. Regards, Everett Rubel
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