MadSci Network: Computer Science |
Question: How does a Professional Cameraman use Light? Response: Laura, thanks for your question. Many of the ways photographers use light are of course for artistic reasons. I’ll touch on that area but I assume since you used the Madsci site, you want some technical information. You mention professional photographers particularly. One of the differences between a professional and an amateur photographer is that the pro is likely to spend a lot more money on equipment including lighting. They can therefore have more control over how a subject is illuminated or “lit” . The reasons for wanting this control apply to any photographers though the amateur may be less skillful and knowledgeable. One of the main reasons for changing the lighting of a scene is because of a basic difficulty of reproducing a scene on paper. Every scene has a range of brightness in it. For example, a scene including a man in a white shirt and black suit in bright sunshine will have a large range of brightness. The brightest area, part of his shirt may be over a 1000 times brighter than the darkest area, part of his suit, perhaps in a shadow. A negative film and some of the best digital cameras can respond to the light in the scene even when the brightness range is this large. The difficulty comes when printing the image on paper. When you view the image, reflections and scattering of the light all around you from even the darkest parts of the printed image means that the darkest parts are never as dark compared to the brightest parts as the original. The range of brightness in a print normally experienced by the viewer is less than 100 to 1 that is less than a tenth of the original scene in this case. It’s not as bad as it seems since we are sensitive to ratios of light intensity or brightness. In the example I’ve used this means that we sense only about 60% of the brightness range. What happens to the rest ? We experience this loss by not being able to see detail in shadows which appear as areas of uniform black or highlights, where we just see uniform white. Often a picture will have both defects so we won’t see any texture or shape to the affected areas. So that’s the problem. Now, what can we do about it ? There is not much the designers of films and papers can do about this. I know, because I used to try when I worked for Kodak ! We made progress making blacks blacker and whites whiter to extend the reproduced brightness range but the laws of physics are hard to beat ! Professional materials are also designed differently to reduce the extent of this shortcoming of the system. The professional photographer with his extra control over lighting can help a great deal, especially in a studio. Subjects can be lit to reduce the brightness range so that little or no detail is lost in the reproduction. They do this by having several light sources in different positions. Often they use diffuse lighting, that is lighting which uses some means of talking light from a lamp and spreading it, for example by using a white screen between the lamp and the subject which is then illuminated by the whole screen area. Another whole are of photography is concerned with filters and devices which modify the light entering the camera. Coloured filters can of course change the colour of the scene and these can be used in front of lights or camera lenses. Other filters can soften the focus, retaining a lot of sharpness but losing some distracting detail. These can be useful with portraits by producing flattering results. So what about the poor amateur? Well there are some things we can do to help make photos better without much money. For example “fill-in flash is a great way to reduce the brightness range for back-lit subjects. Sometimes you can take a picture of someone with a bright background, perhaps in a room with a big window behind. The result is often almost like a silhouette with no detail of the main subject, the people. Using a flash even though there seems to be lots of light will help expose the important part of the scene enough to give a pleasing result. You are using professional techniques of using light to reduce the brightness range. Best of luck with your project.
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